Clara Schumann – Piano Concerto Op.7

Home » Violin Sheet Music » Clara Schumann – Piano Concerto Op.7

Clara Schumann composed her Piano Concerto in A minor, Op. 7, in 1835 when she was just 15 years old. This concerto is one of her early compositions and demonstrates her prodigious talent as both a pianist and a composer.

Intermediate and early advanced violinists may find certain sections of the concerto approachable, but capturing the full essence of Clara Schumann’s Op. 7 requires a player with an advanced skill set. The ability to execute rapid runs, intricate trills, and navigate through challenging key changes is crucial in bringing out the depth and emotion inherent in the composition.

PREVIEW

Free Violin Sheet Music

Tchaikovsky’s Symphony No. 6 in B minor, Op. 74, also known as the “Pathétique Symphony” which he composed during a tumultuous period in his life. It’s often described as autobiographical, reflecting the composer’s inner struggles and personal turmoil. The symphony consists of four movements: Performing Tchaikovsky’s Symphony No. 6 on the violin is a formidable task that necessitates advanced technical …

“Tristan and Isolde” opera is known for its seamless and continuous music, with few traditional arias or recitatives. Wagner’s approach creates a sense of timelessness and intensity. The score features lush orchestration and Wagner’s skillful use of leitmotifs (recurring musical themes associated with characters, emotions, or ideas). Certain parts of “Tristan und Isolde,” including the Prelude and the Liebestod, are …

The “Song of India,” also known as the “Song of the Hindu,” is an excerpt from the opera “Sadko” composed by Nikolai Rimsky-Korsakov. “Sadko” is a Russian opera that premiered in 1898 and is based on a Russian epic fairy tale. The “Song of India” is one of the most famous and recognizable pieces from this opera. The “Song of …

Haydn, a luminary of the Classical era, composed a vast array of delightful and spirited pieces that have become timeless classics. Among these is the German Dance Hob. IX:22 No. 2, a lively and charming composition that invites violinists, even beginners, to embrace the joy of classical music. German Dance Hob. IX:22 No. 2 is a dance form typical of …

Georg Philipp Telemann, a prolific German Baroque composer, was known for his vast output of instrumental music, including numerous solo sonatas for various instruments. The Sonata No. 1 for violin is part of his collection of solo violin sonatas, and it’s a fine representation of Telemann’s skill in crafting engaging and expressive works. The most distinctive feature of this sonata …

Eugene Ysaye’s Poème élégiaque, Op. 12, is a pinnacle of violin repertoire, a masterpiece of both technical challenge and emotional depth. Composed in 1892-1896, it stands as the first of his six “Poems” for violin and orchestra, each exploring a different emotion and pushing the boundaries of violinistic possibility. The Poème élégiaque, as its title suggests, is an elegy. It …

Saint-Saëns incorporates humor and wit into the composition, making it accessible to a wide audience. The use of musical motifs, playful rhythms, and unexpected musical gestures contributes to the overall charm of the piece. Some of the movements include “Lion,” “Hens and Roosters,” “Tortoises,” “Elephant,” “Kangaroos,” and “The Swan.” Each movement captures the essence of the respective animal through clever …

“The Four Seasons” (Italian: “Le quattro stagioni”) is a set of four violin concertos composed by Antonio Vivaldi, an Italian Baroque composer. Each concerto in the set represents a different season of the year, and “Winter” (Italian: “L’inverno”) is one of the four concertos. The full title of this concerto is “Concerto No. 4 in F minor, Op. 8, RV …

Haydn’s Symphony No. 94 in G major, “Surprise Symphony” gained its nickname from the unexpected loud chord that appears in the second movement after a soft, lyrical theme. The sudden fortissimo chord, or “surprise,” was added by Haydn to wake up the audience, as it was customary during the performances for the audience to become a bit too relaxed. This …

Mozart’s Clarinet Quintet in A, K.581 is an exquisite chamber music gem for clarinet and string quartet that deserves all the praise it gets. Originally, Mozart wrote it for the basset clarinet, a slightly longer version of the standard B-flat clarinet. The basset clarinet had a richer, lower range that beautifully complemented the strings. However, since the basset clarinet fell …

This cantata was composed by Johann Sebastian Bach in the early 18th century, likely in 1718. It is categorized as a solo cantata, which means it features a single vocal soloist accompanied by a small ensemble. The cantata is structured into several movements, including recitatives and arias. The music is filled with dance-like rhythms and intricate vocal lines that convey …

Ludwig van Beethoven’s Piano Concerto No. 4 in G major, Op. 58, is a masterpiece known for its sublime melodies, innovative structure, and emotional depth. While originally composed for the piano, this concerto has been adapted for various instruments, including the violin. Performing Beethoven’s Piano Concerto No. 4 on the violin is a daunting yet rewarding challenge that demands a …

Handel’s Samson is a magnificent three-act oratorio, considered one of his finest dramatic works. Composed in 1741, immediately after the completion of his celebrated Messiah, it tells the story of the biblical Samson, a powerful Israelite judge who is betrayed by his lover Delilah and eventually brings down the Philistine temple upon himself and his enemies. Several of the arias …

Lieder eines fahrenden Gesellen (Songs of a Wayfarer) is considered a masterpiece of early Mahler and a cornerstone of the Romantic song repertoire. The cycle of four lieder was written between 1883 and 1885 in the wake of Mahler’s unhappy love for soprano Johanna Richter, whom he met as the conductor of the opera house in Kassel, Germany. Orchestral arrangements …

The Queen of the Night’s aria, “Der Hölle Rache kocht in meinem Herzen” (Hell’s vengeance boils in my heart), is a truly captivating and complex piece within the opera The Magic Flute. While The Magic Flute is a Singspiel (opera with spoken dialogue), the Queen’s aria stands out as a pure operatic tour de force. It’s written in the style …