Purcell – Abdelazer Z.570

Purcell

“Abdelazer, or The Moor’s Revenge” is a semi-opera composed by Henry Purcell in 1695. It features spoken dialogue, instrumental music, and songs, and it is considered one of Purcell’s most famous theatrical works. The title character, Abdelazer, seeks revenge for a perceived slight, and the narrative unfolds through a combination of spoken drama and musical interludes.

The Rondeau from “Abdelazer” is particularly well-known and has been used in various adaptations, including Benjamin Britten’s “The Young Person’s Guide to the Orchestra.” The distinctive melody has made it a recognizable and enduring piece in classical music.

Purcell’s Abdelazer Z.570 is considered an intermediate to advanced-level piano piece. Pianists attempting to master this composition should possess a solid foundation in technique, finger dexterity, and control. The demanding ornamentation, intricate phrasing, and precise articulation required throughout the piece make it suitable for players who have honed their skills through years of practice.

Download Sheet Music PDF

PREVIEW

by

written by 0 comments 277 views

Free Violin Sheet Music

Haydn – Symphony No.94 Surprise

Haydn’s Symphony No. 94 in G major, “Surprise Symphony” gained its nickname from the unexpected loud chord that appears in the second movement after a soft, lyrical theme. The sudden fortissimo chord, or “surprise,” was added by Haydn to wake up the audience, as it was customary during the performances for the audience to become a bit too relaxed. This …

Beethoven – Grosse Fugue Op.133

The “Grosse Fuge” is celebrated for its extraordinary complexity, bold experimentation, and profound musical expression. It is a massive and intricate fugue, a form of composition characterized by its contrapuntal texture and a single subject that is imitated and developed throughout the piece. This work consists of several sections and is often described as an intellectual tour de force. It …

Rossini – Scala di Seta Overture

Gioachino Rossini’s effervescent La scala di seta (The Silken Ladder) isn’t just an opera – it’s a whirlwind of comedic intrigue set to music. And its overture, a dazzling display of operatic fireworks, is a violinist‘s playground. Let’s delve into the intricacies of bringing this iconic piece to life on the strings. The overture itself is a microcosm of the …

Bach – Violin Sonata BWV.1015

Bach’s Violin Sonata in A, BWV 1015, might seem more approachable than the Partita No. 1 due to its four shorter movements, it still presents significant challenges for violinists. While less frequent than in the Partita, double stops appear throughout the sonata, particularly in the first movement. This demands precise intonation and coordination between both hands. The third movement, Presto, requires agility and bow control …

Rossini – Barber of Seville

“The Barber of Seville” (Il barbiere di Siviglia) is one of Gioachino Rossini’s most celebrated and beloved operas. Rossini’s comic operas, including “The Barber of Seville,” are celebrated for their wit and lively music. The overture, which is often performed separately in concert, is one of the most famous and energetic in the classical music repertoire. “The Barber of Seville” …

Mozart – Eine Kleine Nachtmusik

While Eine kleine Nachtmusik, K.525, typically shines as a string ensemble piece, its spirit translates surprisingly well to solo violin. Imagine the familiar melodies, originally woven through shimmering violins, violas, and cellos, now gracefully dancing on a single string. The opening Allegro might take on a playful intimacy, the serenade-like Romanze feel like a whispered secret, and the Menuetto exude …

Haydn – Symphony No.52

Symphony No. 52 in C minor, composed by Franz Joseph Haydn, is believed to have been written around 1771-1772 during his time at the Esterházy court. This period marked a significant phase in Haydn’s career, showcasing his growing maturity as a composer. Players participating in the performance of Symphony No. 52 will benefit from a thorough understanding of Classical period …

Haydn – Symphony No.90

Composed in 1788 during Haydn’s second trip to London, Symphony No. 90 is a work that epitomizes the Classical era. Its three-movement structure combines Haydn’s trademark wit and inventive orchestration. The spirited Allegro, the graceful Andante, and the lively Finale collectively form a musical tapestry that captivates listeners with its charm and sophistication. Haydn’s Symphony No. 90 is a staple …

Accolay – Violin Concerto In A Minor

Jean-Baptiste Accolay’s contribution to the world of classical music is primarily centered around his “Violin Concerto in A minor,” which has remained a significant and enduring part of violin education and performance. His work continues to inspire and shape the development of violinists around the world. This concerto, often referred to simply as the “Accolay Concerto,” is frequently studied and …

Richard Strauss – Also Sprach Zarathustra

“Also sprach Zarathustra” Op.30 (Thus Spoke Zarathustra) is one of the most famous compositions by the German composer Richard Strauss. This tone poem, composed in 1896, is inspired by the philosophical novel of the same name written by Friedrich Nietzsche. It’s a significant work in the late-Romantic and early 20th-century classical music repertoire and is widely recognized for its dramatic …

Clara Schumann – Piano Concerto Op.7

Clara Schumann composed her Piano Concerto in A minor, Op. 7, in 1835 when she was just 15 years old. This concerto is one of her early compositions and demonstrates her prodigious talent as both a pianist and a composer. Intermediate and early advanced violinists may find certain sections of the concerto approachable, but capturing the full essence of Clara …

Schumann – Traumerei Op.15 No.7

“Träumerei” is part of Schumann’s collection of piano pieces titled “Kinderszenen” or “Scenes from Childhood.” The title translates to “Dreaming” in English, reflecting the piece’s introspective and nostalgic nature. The melody unfolds with gentle phrasing and a sense of wistfulness, making it a favorite among musicians and audiences alike. Transcribing piano compositions for the violin requires careful consideration of the …

Saint-Saens – Danse Macabre Op.40

“Danse Macabre,” Op. 40, is one of Camille Saint-Saëns’s most famous and evocative compositions. Saint-Saëns composed “Danse Macabre” in 1874. The work is based on a poem of the same name by Henri Cazalis, which describes Death summoning the dead to dance at midnight on Halloween. The haunting opening violin solo, often played in harmonics, sets the tone for the …

Handel – Violin Sonata No.4 in D

George Frideric Handel composed a set of six violin sonatas, commonly referred to as “Sonatas for Violin and Continuo” or “Violin Sonatas, Op. 1.” Violin Sonata No. 4 in D major, HWV 371, is one of these delightful compositions.

Brahms – Hungarian Dance No.5

Brahms’ Hungarian Dance No. 5 in F sharp minor, WoO 1 No. 5, is a captivating melody, infused with the fiery spirit of Hungarian music. Traditionally heard in its orchestral or piano settings, this passionate dance takes on a new life when interpreted on the solo violin. Stripped of its orchestral grandeur, the violin becomes the sole vessel for Brahms’ …

Load More Posts

@ 2007-2024 All Rights Reserved | WrittenMelodies.com