Saint-Saens – Christmas Oratorio Op.12

Home » Piano Sheet Music » Saint-Saens – Christmas Oratorio Op.12

Camille Saint-Saëns’ “Oratorio de Noël,” also known as his Christmas Oratorio, Op. 12, is a splendid and spiritually evocative composition. Written in 1858, this oratorio reflects Saint-Saëns’ mastery in blending sacred and festive elements.

  1. Prelude: The work opens with a majestic prelude that sets the tone for the festive celebration.
  2. Récitatif et Chœur: This movement combines recitative passages with a choral section, narrating the angelic announcement of Christ’s birth.
  3. Chœur: A lively chorus follows, expressing the joy and excitement of the shepherds upon receiving the news.
  4. Récitatif: A solo recitative reflects on the significance of the Nativity.
  5. Chœur: Another choral movement ensues, expressing the adoration of the Magi.
  6. Finale: The oratorio concludes with a triumphant finale, celebrating the birth of Christ.

The piano rendition of Saint-Saëns’ Christmas Oratorio Op. 12 demands a pianist with an intermediate to advanced skill level. The piece presents challenges in terms of technicality, interpretation, and dynamic control. Pianists will need a solid command of various techniques, including intricate hand independence, expressive phrasing, and an understanding of stylistic nuances characteristic of Saint-Saëns’ Romantic compositions.

PREVIEW

Christmas Sheet Music

“The Christmas Tree” (Elka in Russian), Op. 21 is a suite of piano pieces that depict scenes related to a Christmas tree and its decorations. The suite is often performed as a set of miniatures, each capturing a different aspect of the holiday season. It is considered one of Rebikov’s most well-known and charming works. The “Christmas Tree Waltz” is …

“Angels We Have Heard on High” is a traditional Christmas carol with French origins. The English lyrics were written by James Chadwick, an English Roman Catholic bishop, in the mid-19th century. The music for “Angels We Have Heard on High” is based on the traditional French melody of “Gloria in excelsis Deo,” which means “Glory to God in the Highest.” …

“All Praise to Jesus’ Hallowed Name” is a Christian hymn with lyrics written by Thomas Kelly in the early 19th century. The hymn is often set to the melody “Dix,” composed by Conrad Kocher. The text of the hymn focuses on praising the name of Jesus and acknowledging His role as Savior and Lord. When playing “All Praise to Jesus’ …

“Silent Night” was composed by Franz Xaver Gruber, an Austrian schoolteacher, in 1818. The lyrics were written by Joseph Mohr, an Austrian priest, in the same year. The carol was first performed on Christmas Eve of 1818 at St. Nicholas Church in Oberndorf bei Salzburg, Austria.

“Shepherds, Shake Off Your Drowsy Sleep” is a traditional Christmas carol. The song’s lyrics encourage shepherds to wake up and go to Bethlehem to witness the birth of Jesus. The carol reflects the Biblical account of the shepherds who were visited by angels and instructed to go and see the newborn Christ. Due to the technical demands and the need …

“German Dance, K.605 No.3” or “Sleigh Ride” or in German “Die Schlittenfahrt” from the set of Three German Dances, K.605 is a lively and festive composition that captures the joyful spirit of a sleigh ride. Arranged for violin.

Three of the most popular Christmas carols in the world: “The First Noel”, “Once in Royal David’s City”, “Dong Dong Merrily on High” arranged for flute duet sheet music.

“Away in a Manger” is a traditional Christmas carol, often associated with nativity celebrations. Its origins are somewhat disputed, with the first two verses historically attributed to Martin Luther, though this claim is debated. The melody, most commonly associated with this carol, comes in two popular versions: one by William J. Kirkpatrick (1887) and another by James R. Murray (1885). …

“A Great and Mighty Wonder” is a hymn with lyrics written by St. Germanus, Bishop of Constantinople, in the 7th century. The hymn reflects on the miraculous nature of the Incarnation, celebrating the birth of Jesus Christ. The text has been translated into English by various authors, and the melody is often associated with the German hymn “Es ist ein …

“Song of the Bagpipers” in Neapolitan is known as “Canzone dei Zampognari.” This traditional Neapolitan Christmas song is often associated with the image of bagpipers playing festive music during the holiday season in Southern Italy. Due to the technical demands and nuanced expression required, “Song of the Bagpipers” is best suited for intermediate to advanced pianists. A solid understanding of …

Camille Saint-Saëns’ “Oratorio de Noël,” also known as his Christmas Oratorio, Op. 12, is a splendid and spiritually evocative composition. Written in 1858, this oratorio reflects Saint-Saëns’ mastery in blending sacred and festive elements. The piano rendition of Saint-Saëns’ Christmas Oratorio Op. 12 demands a pianist with an intermediate to advanced skill level. The piece presents challenges in terms of …

“O Holy Night” (French: “Cantique de Noël”) is a Christmas carol that was written in French by poet Placide Cappeau and set to music by composer Adolphe Adam. Cappeau wrote the lyrics in 1843, and Adam composed the music later the same year. The carol was first performed in Roquemaure, France, during a midnight Mass on Christmas Eve in 1847.. …

The hymn “While Shepherds Watched Their Flocks” is a classic Christmas carol with a rich history. It is commonly sung to the tune “Winchester Old,” and the lyrics are attributed to Irish hymnist Nahum Tate. The carol is based on the account of the shepherds receiving the angelic announcement of the birth of Jesus from the Gospel of Luke in …

Bach – Christmas Oratorio (Weihnachtsoratorium) completed in 1734, it is a set of six cantatas intended for performance during the Christmas season. Each cantata corresponds to a specific feast day within the Christmas period.

“O Sanctissima,” also known as “O du fröhliche,” is a hymn and carol dedicated to the Virgin Mary. The text of the hymn is attributed to the German poet and priest Fr. Caspar Stollhofen, who lived in the 17th century. The music is often associated with the Sicilian folk tune “O sanctissima,” and it has been used in various musical …

Adblock Detected

Please support us by disabling your AdBlocker extension from your browsers for our website.