Bach’s Violin Sonata in A, BWV 1015, might seem more approachable than the Partita No. 1 due to its four shorter movements, it still presents significant challenges for violinists.
While less frequent than in the Partita, double stops appear throughout the sonata, particularly in the first movement. This demands precise intonation and coordination between both hands. The third movement, Presto, requires agility and bow control for its rapid figurations and intricate bow strokes. As with the Partita, mastering authentic Baroque style is crucial. This includes ornamentation, articulation, and phrasing choices that differ from modern violin practices.
The sonata was originally written for violin and harpsichord. Playing with a harpsichord player can be a rewarding experience, allowing you to delve deeper into the music’s intricate interplay and Baroque context. Intermediate to advanced violinists will find the Violin Sonata BWV.1015 both challenging and rewarding.
