Haydn – Symphony No.88

Haydn

Haydn’s Symphony No. 88 in G major was composed by Haydn in 1787 during his time in Esterházy. Musicians performing Symphony No. 88 should pay attention to the balance between the energetic and lyrical elements, bringing out the nuances in each movement. The finale, marked by its spirited nature, demands precision and rhythmic vitality for a successful interpretation.

Playing Haydn’s Symphony No. 88 on the violin requires an advanced skill level. The violinist must possess a solid command of technical elements such as bowing techniques, finger dexterity, and intonation. The intricate passages, dynamic contrasts, and expressive phrasing demand a nuanced understanding of classical style and interpretation.

Download Sheet Music PDF

PREVIEW

written by 0 comments 387 views

Free Violin Sheet Music

Vivaldi – Summer Four Seasons

Summer from The Four Seasons on the violin – a true masterpiece of Baroque music! Its vibrant energy and evocative imagery paint a vivid picture of the season’s sun-drenched days and languid nights. Translating this symphony through the nimble voice of the violin is not just a technical feat, but a journey into the heart of summer itself. Sun-Kissed Melodies: …

Mozart – Eine Kleine Nachtmusik

While Eine kleine Nachtmusik, K.525, typically shines as a string ensemble piece, its spirit translates surprisingly well to solo violin. Imagine the familiar melodies, originally woven through shimmering violins, violas, and cellos, now gracefully dancing on a single string. The opening Allegro might take on a playful intimacy, the serenade-like Romanze feel like a whispered secret, and the Menuetto exude …

Ysaye – Poeme Elegiaque Op.12

Eugene Ysaye’s Poème élégiaque, Op. 12, is a pinnacle of violin repertoire, a masterpiece of both technical challenge and emotional depth. Composed in 1892-1896, it stands as the first of his six “Poems” for violin and orchestra, each exploring a different emotion and pushing the boundaries of violinistic possibility. The Poème élégiaque, as its title suggests, is an elegy. It …

Sarasate – Caprice Basque Op.24

Sarasate’s Caprice Basque, Op. 24 – a fiery tempest of Spanish rhythms and virtuosic demands that sets the violin alight! This iconic piece, while often heard in its orchestral garb, takes on a new life when entrusted to the solo violin. Stripped of its orchestral support, the violin becomes the sole voice of Sarasate’s vibrant melody. Each note dances under …

Holst – The Planets Op.32

Holst’s “The Planets” is celebrated for its innovative orchestration. Holst used unique and imaginative combinations of instruments to evoke the characteristics of each planet. Given the technical demands and expressive nuances embedded in Holst’s “The Planets,” this piece is best suited for advanced and professional-level violinists. Players who have mastered a wide array of bowing techniques, possess exceptional control over …

Tartini – Violin Sonata No.5

Violin Sonata No. 5 in G Minor, commonly known as the “Devil’s Trill Sonata” is one of Giuseppe Tartini’s most famous and intriguing compositions. The sonata gained its nickname from a legend in which Tartini dreamed that the Devil played an exceptionally virtuosic trill on the violin. The composer was so captivated by the dream that he attempted to recreate …

Purcell – Dido and Aeneas

“Dido and Aeneas” is one of Henry Purcell’s most celebrated and enduring works. Composed around 1688, this opera is a landmark in English Baroque music. “Dido and Aeneas” is a tragic opera in three acts, with a libretto by Nahum Tate. While the exact date of composition is uncertain, it is believed to have been written around 1688. The opera …

Schubert – Symphony No.5

Schubert’s Symphony No. 5 in B-flat major, D.485, is a symphony bathed in youthful exuberance and Mozartian influence. Composed in 1816 at the tender age of 20, it’s a testament to Schubert’s innate musicality and a delightful gem for violinists to explore. Whether you’re a seasoned concertmaster or a passionate amateur, delving into the violin part of this symphony is …

Haydn – Symphony No.103

The symphony No.103 “The Drumroll” begins with a dramatic and famous timpani (kettledrum) solo, earning it the nickname “Drumroll.” The movement features contrasting themes and lively orchestration. The most distinctive feature of this symphony is its timpani introduction, creating an arresting and unforgettable start. This element not only gives the symphony its nickname but also showcases Haydn’s willingness to experiment …

Mozart – Symphony No.27 K.199

Mozart‘s Symphony No. 27 in G Major, K. 199, is a vibrant gem in his orchestral crown. Composed in 1773, at the tender age of 17, it’s a testament to his precocious talent and enduring musicality. For violinists, playing this symphony is a chance to dance through sunshine-filled melodies, engage in playful counterpoint, and experience the pure joy of Mozartian …

Offenbach – Can-can, Act II No.15b

“Can-can” from Jacques Offenbach’s operetta “Orpheus in the Underworld” is a lively and iconic piece of music. The Can-can is characterized by its energetic and syncopated rhythms, and it’s often accompanied by high kicks and skirts that twirl. The music is catchy and infectious, making it a favorite in many musical and dance performances. Playing Offenbach’s Can-can on the violin …

Mozart – Piano Concerto No.20

Wolfgang Amadeus Mozart, a musical prodigy of the Classical era, left an indelible mark on the world of music with his timeless compositions. Among his numerous masterpieces, Piano Concerto No. 20 in D minor, K.466, stands out as a pinnacle of expression and emotion. While typically performed on the piano, the idea of rendering this majestic concerto on the violin …

Glazunov – Scenes de Ballet Op.52

Glazunov‘s Scènes de ballet, Op. 52, isn’t just a suite for orchestra; it’s a sumptuous feast for the violin. From the opening bars of the Grand Adagio to the final whirlwind of the Polonaise, the violin part takes center stage, demanding both technical brilliance and nuanced artistry. So, if you’re a violinist dreaming of tackling this iconic ballet music, strap …

Brahms – Hungarian Dance No.5

Brahms’ Hungarian Dance No. 5 in F sharp minor, WoO 1 No. 5, is a captivating melody, infused with the fiery spirit of Hungarian music. Traditionally heard in its orchestral or piano settings, this passionate dance takes on a new life when interpreted on the solo violin. Stripped of its orchestral grandeur, the violin becomes the sole vessel for Brahms’ …

Vaughan Williams – The Lark Ascending

Ralph Vaughan Williams‘ “The Lark Ascending“ is a cornerstone of English music, a soaring melody that captures the essence of a skylark’s song and its ascent into the heavens. While most familiar in its orchestral form, the piece also exists in a charming arrangement for violin and piano, offering a unique and intimate experience for both performers and listeners. Composed …

Load More Posts