Free Saint-Saens Sheet Music

Camille Saint-Saëns’s Symphony No. 3 in C minor, Op. 78, is commonly known as the “Organ Symphony.” Composed in 1886, this symphony is notable for its grandiose scale and the prominent use of the organ in the final movement. The symphony is dedicated to Franz Liszt, a fellow composer and contemporary of Saint-Saëns. Liszt was a mentor and influence on …

Saint-Saëns incorporates humor and wit into the composition, making it accessible to a wide audience. The use of musical motifs, playful rhythms, and unexpected musical gestures contributes to the overall charm of the piece. Some of the movements include “Lion,” “Hens and Roosters,” “Tortoises,” “Elephant,” “Kangaroos,” and “The Swan.” Each movement captures the essence of the respective animal through clever …

“Carnival of the Animals” (Le Carnaval des Animaux) is one of Camille Saint-Saëns’s most famous and delightful compositions. It was composed in 1886 and is often celebrated for its humorous and imaginative depictions of various animals. “Carnival of the Animals” is a suite of 14 movements, each representing a different animal or group of animals. The composition was intended for …

“Danse Macabre,” Op. 40, is one of Camille Saint-Saëns’s most famous and evocative compositions. Saint-Saëns composed “Danse Macabre” in 1874. The work is based on a poem of the same name by Henri Cazalis, which describes Death summoning the dead to dance at midnight on Halloween. The haunting opening violin solo, often played in harmonics, sets the tone for the …

“Danse Macabre” quickly gained popularity and has remained one of Saint-Saëns’s most recognizable and frequently performed works. The vivid imagery and evocative nature of “Danse Macabre” have made it a favorite for Halloween-themed events and have contributed to its enduring presence in popular culture. “Danse Macabre” is a tone poem, a genre that tells a story or paints a vivid …

Camille Saint-Saëns’ “Oratorio de Noël,” also known as his Christmas Oratorio, Op. 12, is a splendid and spiritually evocative composition. Written in 1858, this oratorio reflects Saint-Saëns’ mastery in blending sacred and festive elements. The piano rendition of Saint-Saëns’ Christmas Oratorio Op. 12 demands a pianist with an intermediate to advanced skill level. The piece presents challenges in terms of …

“Ave Maria” in A major is part of his larger work, the “Six Duets for Two Voices and Organ,” Op. 10. This collection includes settings of various sacred texts, and the “Ave Maria” in A major is one of the pieces within this set. These duets were composed in 1858 and showcase Saint-Saëns’s mastery of choral writing and his ability …

Camille Saint-Saëns‘s Sonata for Clarinet and Piano in E-flat major, Op.167 is a cornerstone of the chamber music repertoire. While most often enjoyed through the clarinet’s expressive voice, the piano part holds its own unique charm and challenges, offering pianists a rewarding journey into Saint-Saëns’s elegant musical world. The sonata showcases a captivating dialogue between the piano and clarinet. The …